FINAL FANTASY X is back—in HD! First released for the PlayStation ® 2 system in 2001, and widely acclaimed for its moving story and spectacular graphics, FINAL FANTASY X has now returned in HD for the PlayStation ® Vita system. Characters, monsters, and environments have been fine-tuned in HD detail, providing a richer, deeper FINAL FANTASY visual experience.

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Russian. English. A material that makes no compromises when it comes to reliability and esthetics. Precise and reliable processing, allowing it to be learned quickly.

Excellent processing characteristics, such as improved modeling properties, simple handling and minimum shrinkage behavior. Conventional, established dentin-incisal layering system. Comprehensive range of additional materials for individualization. Highly esthetic restorations thanks to brilliant colors. Available in VITA SYSTEM 3D-Master and VITA classical A1 – D4 shades. DescriptionPowder no.Prod. 250 gA1EN1B4810A2EN1B4820A3EN1B4830A3.5EN2B4840A4EN2B48550-B1EN2B4860B2EN2B4870B3EN2B48850-B4EN2B48950-C1EN2B4800C2EN2B4810C3EN1B4820C4EN1B48350-D2EN2B4840D3EN2B48550-D4EN2B48650-VITA VMK Master ® VITA SYSTEM 3D-MASTER ®.

DescriptionPowder no.Prod. 250 g0M1EN1B48150-0M2EN1B48250-0M3EN1B48350-1M1EN1B48401M2EN1B48502L1.5EN1B48602L2.5EN1B48750-2M1EN1B48802M2EN1B48902M3EN1B48050-2R1.5EN1B48150-2R2.5EN1B48203L1.5EN1B48350-3L2.5EN1B48450-3M1EN1B48550-3M2EN1B48603M3EN1B48750-3R1.5EN1B48850-3R2.5EN3B48950-4L1.5EN1B48050-4L2.5EN1B48150-4M1EN1B48250-4M2EN3B48350-4M3EN3B48450-4R1.5EN1B48550-4R2.5EN3B48650-5M1EN1B48750-5M2EN3B48850-5M3EN3B48950. 50 g0M1B481500M2B482500M3B483501M1B484501M2B485502L1.5B486502L2.5B487502M1B488502M2B489502M3B480502R1.5B481502R2.5B482503L1.5B483503L2.5B484503M1B485503M2B486503M3B487503R1.5B488503R2.5B489504L1.5B480504L2.5B481504M1B482504M2B483504M3B484504R1.5B485504R2.5B486505M1B487505M2B488505M3B48950. QuantityContentMaterial25 gVITA VMK Master OPAQUE PASTE OP2 - OP3212 gVITA VMK Master DENTINE 2M2, 3M2212 gVITA VMK Master OPAQUE DENTINE 2M2, 3M2112 gVITA VMK Master ENAMEL EN1112 gVITA VMK Master TRANSLUCENT T4150 mlVITA MODELLING FLUID RS115 mlVITA PASTE OPAQUE LIQUID1VITA shade indicator stick 2M21VITA shade indicator stick 3M21Flat brush, for PASTE OPAQUE1Mixing spatula, Acrylic for PASTE OPAQUEVITA VMK Master ® Zusatzmassen compatible with VITA SYSTEM 3D-MASTER and VITA classical A1-D4 shades. Please check the following which could have causedthe problem:. Model in reduced tooth size particularly in the case of molars and bridges in order to achieve a homogeneous layer thickness of the ceramic. Ensure cuspal support in the posterior area, and U-shaped modellation of the interdental spaces.

Casting: ensure correct flame adjustment and temperature of induction or electronic casting equipment. Use the casting crucible and temperature recommended for the alloy. Never mix alloys. Do not use more than one third of old metal.

Make sure to use clean sandblasting material and observe the manufacturer's instructions. Do not use any circuit blasting units. Finish the entire surface of the crown or bridge in order to remove any reaction products of the alloy surface and the investment material or impurities in the surface. Finish the interdental spaces. Various manufacturers no longer recommend oxidation firing. However, when changing alloys, oxidation firing should be carried out.

It serves to check the oxide color, which must be homogeneous with the shade. There must be no stains or discolorations on the surface to be veneered. The oxide layer can be subsequently removed by sandblasting or etching.

When mixing all ceramic materials, ensure that no bubbles are formed. Ensure that the liquid is added to the powder from the side and the material is mixed thoroughly using a glass or agate spatula. The use of metal spatulas can lead to metal abrasion and discoloration of the ceramic.

Keep workplace clean: metal dust and dirty brush water can lead to problems. Application of insulating liquid should not be too thick. When firing bridges, always separate down to the opaque at the first firing. Shrinkage of the ceramic always occurs only in the thickest area. Therefore a uniform layer thickness is recommended. Do not use any dry or saw-toothed instruments.

The use of these instruments can cause the ceramic to become detached and separated from the surface. Ensure correct firing parameters and firing temperature. Carry out muffle test by using a mirror to see if the muffle is properly heated from all sides in the firing chamber. If a rubber polisher is used before the final finishing, the surface must not be wetted with liquid again. It must first be cleaned.

It is not sufficient to clean it using a steam cleaner or with water. Silicone residue at the surface must be removed mechanically. Insulating material residue must not be on the ceramic surface. Contact with the freshly insulated antagonist teeth may also lead to problems. When filling the interdental spaces during bridge correction, do not vibrate the material until dry; otherwise the material will not bond. Interdental spaces should be wetted with an oily liquid (e.g.

VITA INTERNO) before filling. Please check the following which could have causedthe problem:. Investment material was not correctly mixed (observe manufacturer's instructions and expiration date). Check if the surface of the metal substructure exhibits any porosity. Never mix alloys.

Do not use more than one third of old metal. Do not separate directly at the coping so that the sprue area can still be easily adjusted. If possible, avoid soldering or lasering. Make sure sandblasting material is clean. Observe the alloy manufacturer's instructions.

Do not use any circuit blasting units. Sandblast at an angle of 45° to the surface to avoid the risk of penetration of abrasive material into the alloy.

When using etching agents, the restoration needs to be carefully cleaned afterwards. Finish with clean, cross-cut tungsten carbide burs. Do not apply too much pressure and use the ppropriate rotation speed depending on the alloy. Avoid heat development o the surface. Do not use abrasives for finishing different alloys.

Do not use diamond abrasives or diamond-coated rubber polishers for finishing. Finish the entire surface of the crown or bridge in order to remove any reaction products of the alloy surface and the investment material or impurities in the surface.

Finish the interdental spaces. Grind in one direction in order to avoid overlapping. Sandblast with particle size of 50 - 250 μm depending on the alloy. Adhere to recommended sandblasting pressure for different alloys and sandblast at an angle of 45° to avoid the risk of penetration of abrasive material into the alloy. Use disposable abrasives and ensure that sandblasting material is clean (observe alloy manufacturer's instructions). Depending on the oxide surface etching is recommended by different manufacturers; the surface is 'refined' by dissolving impurities. It is vital to clean the substructures thoroughly and make sure that no etching residue remains on the surface.

Various manufacturers no longer recommend oxidation firing. However, when changing alloys, oxidation firing should be carried out. It serves to check the oxide color, which must be homogeneous with the shade. There must be no stains or discolorations on the surface to be veneered.

The oxide layer can be subsequently removed by sandblasting or etching. The wash opaque must be applied in accordance with the working instructions to achieve good wetting of the surface. To ensure correct melting of the opaque, the required temperature must be adhered to. The use of wash opaque is not mandatory; wash opaque firing can also be carried out with the regular opaque porcelain (colored). When mixing all ceramic materials, ensure that no bubbles are formed. Ensure that the liquid is added to the powder from the side and the material is mixed thoroughly using a glass or agate spatula.

The use of metal spatulas can lead to metal abrasion and discoloration of the ceramic. Keep workplace clean; metal dust and dirty brush water can lead to problems. Application of insulating liquid should not be too thick. Ceramics should not be mixed with modelling liquid but with distilled water when remixing them. It must also be ensured that the mixture is bubble-free. Ensure a homogeneous moisture level of the layered ceramic on the crown.

Do not keep re-wetting or allow it to dry out. Burs may only be used for processing one material.

Do not use burs which have been previously used for grinding titanium. Please check the following which could have causedthe problem:. Ceramics should not be mixed with modelling liquid but with distilled water when remixing them. It must also be ensured that the mixture is bubble-free.

Ensure a homogeneous moisture level of the layered ceramic on the crown. Do not keep re-wetting or allow it to dry out. Burs may only be used for processing one material. Ensure correct firing parameters and firing temperature. Insulation material residue must not be on the ceramic surface.

Contact with the freshly-insulated antagonist teeth (opposing jaw) can lead to problems. Firing temperature too low. Not enough Base Dentine used. Too much Transpa Dentine used. Too much dentine used. Veneer thickness is not sufficient enough to ensure reliable shade reproduction, a layer thickness of ≥ 0.6 mm is required. Please check the following which could have causedthe problem:.

The wash opaque must be applied in accordance with the working instructions to achieve good wetting of the surface. To ensure correct melting of the opaque, the required temperature must be adhered to. The use of wash opaque is not mandatory; the wash opaque firing can also be carried out with the regular opaque porcelain (colored). After applying, the opaque should mask the surface completely to ensure reliable reproduction of the shade; if necessary it must be applied a second time. When mixing ceramic materials, ensure that no bubbles are formed.

Ensure that the liquid is added to the powder from the side and the material is mixed thoroughly using a glass or agate spatula. The use of metal spatulas can lead to metal abrasion and discoloration of the ceramic. Keep workplace clean; metal dust and dirty brush water can lead to problems. Application of insulating liquid should not be too thick.

Insulation material residue must not be on the ceramic surface. Contact with the freshly-insulated antagonist teeth (opposing jaw) can lead to problems. Opaque does not completely mask the surface. Firing temperature too high or too low; ensure correct firing parameters and firing temperature. Carry out muffle test by using a mirror to see if the muffle is properly heated from all sides in the firing chamber.

Too much Transpa Dentine used. Veneer thickness is not sufficient; to ensure reliable shade reproduction, a layer thickness of ≥ 0.6 mm is required. Please check the following which could have causedthe problem:. Ensure good marginal adaptation of the ceramics; if necessary brush the ceramic in these areas before firing (use a dry brush).

When firing bridges, always separate down to the opaque at the first firing. Shrinkage of the ceramic always occurs only in the thickest area. Therefore a uniform layer thickness is recommended.

Do not use any dry or saw-toothed instruments. The use of these instruments can cause the ceramic to become detached and separated from the surface. The crown has a 'lifeless' appearance or exhibits insufficient translucency (may also be caused by unsuitable liquid). Crown has a glassy appearance or round edges after firing: check the firing temperature accuracy. Please check the following which could have causedthe problem:. When modelling in wax, the minimum recommended layer thicknesses should be adhered to right from the beginning to ensure that a minimum layer thickness of 0.3 mm remains after finishing. Follow manufacturers' instructions regarding alloys.

Non-precious metal alloys and high gold content alloys require different wall thicknesses. Model in reduced tooth size particularly in the case of molars and bridges in order to achieve a homogeneous layer thickness of the ceramic. Ensure cuspal support in the posterior area, and U-shaped modellation of the interdental spaces. Sharp edges must be avoided. Sprue the pattern according to the manufacturer's instructions. Observe the information on storage, expiration dates and processing for the investment material.

Casting: ensure correct flame adjustment and temperature of induction or electronic casting equipment. Use the casting crucible and temperature recommended for the alloy. Never mix alloys.

Do not use more than one third of old metal. Do not separate directly at the coping so that the sprue area can still be easily adjusted. Ensure homogeneous metal structure; if possible avoid soldering or lasering. Make sure to use clean sandblasting material and observe the manufacturer's instructions. Do not use any circuit blasting units. Before using etching agents, clean the restoration thoroughly.

Trim with clean, cross-cut tungsten carbide burs. Do not apply too much pressure and use the appropriate rotation speed depending on the alloy. Avoid heat development at the surface. Do not use abrasives for different alloys when finishing. Do not use diamond abrasives or diamond-coated rubber polishers for finishing. Finish the entire surface of the crown or bridge in order to remove any reaction products of the alloy surface and the investment material or impurities in the surface. Finish the interdental spaces.

Sandblast with particle size of 50 - 250 μm depending on the alloy. Adhere to recommended sandblasting pressure for different alloys and sandblast at an angle of 45° to avoid the risk of penetration of the abrasive material into the alloy. Use disposable abrasives and ensure that the sandblasting material is clean (observe alloy manufacturer's instructions). Ensure correct firing parameters and firing temperature. Carry out muffle test by using a mirror to see if the muffle is properly heated from all sides in the firing chamber. Grind the surface of the ceramic with diamond abrasives.

Make sure the ceramic does not get too hot. When using blunt diamonds, do not increase the grinding pressure, but replace the tool. When using a turbine, always use water cooling. Please check the following which could have causedthe problem:.

When mixing all ceramic materials, ensure that no bubbles are formed. Ensure that the liquid is added to the powder from the side and the material is mixed thoroughly using a glass or agate spatula. The use of metal spatulas can lead to metal abrasion and discoloration of the ceramic. Keep workplace clean; metal dust and dirty brush can lead to problems. Application of insulating liquid should not be too thick. Ceramics should not be mixed with modelling liquid but with distilled water when remixing them. It must also be ensured that the mixture is bubble-free.

Ensure a homogeneous moisture level of the layered ceramic on the crown. Do not keep re-wetting or allow it to dry out. The correction porcelain should not be applied in very small portions. Make sure it does not dry out too much; if necessary use a liquid which keeps it moist longer.

Avoid frequent suction and rewetting of the material; a homogeneous moisture level is required. Please check the following which could have causedthe problem:. When modelling in wax, the minimum layer thicknesses should be adhered to right from the beginning to ensure that a minimum layer thickness of 0.3 mm remains after finishing. Follow manufacturers' instructions regarding alloys. Non-precious metal alloys and high gold content alloys require different wall thicknesses. Model in reduced tooth size particularly in the case of molars and bridges in order to achieve a homogeneous thickness of the ceramic. Ensure cuspal support in the posterior area and U-shaped modellation of the interdental spaces.

Sharp edges must be avoided. Sprueing of the model according to the manufacturer's instructions. Observe the information on storage, expiration dates and processing for the investment material. Casting: ensure correct flame adjustment and temperature of induction or electronic casting equipment. Use the casting crucible and temperature recommended for the alloy. Never mix alloys.

Do not use more than one third of old metal. Do not separate directly at the coping so that the sprue area can still be easily adjusted. Ensure homogeneous metal structure; if possible avoid soldering or lasering.

Make sure to use clean and suitable sandblasting material (manufacturer's instructions). Before using etching agents clean (ultrasonic unit), the restoration thoroughly. Trim with clean, cross-cut tungsten carbide burs.

Do not apply too much pressure and use the given rotation speed depending on the alloy. Avoid heat development at the surface.

Do not use abrasives for different alloys for finishing. Do not use diamond abrasives or diamond-coated rubber polishers for finishing. Finish the entire surface of the crown or bridge in order to remove any reaction products of the alloy surface with the investment material or impurities in the surface. Finishing should also be carried out in the interdental spaces. Sandblast with particle size of 50 - 250 μm depending on the alloy. Adhere to recommended sandblasting pressure for different alloys and sandblast at an angle of 45°. Use disposable abrasives and ensure that sandblasting material is clean.

The wash opaque must be applied in accordance with the working instructions to achieve good wetting of the surface. To ensure correct melting of the opaque, the required temperature must be adhered to. The use of wash opaque is not mandatory; the wash opaque firing can also be carried out with the regular opaque porcelain (colored). Observe the CTE of the alloy.

The CTE of the ceramic must generally be lower than that of the metal. Experience gathered over numerous years has shown that the use of alloys with a CTE between 14 - 14.4, measured at 25-600 °C, produces very good results. If the CTE value of the alloy is higher, the temperature range between 900 °C to 700 °C must not be passed in less than three minutes during the cooling phase. However, this does not apply to each alloy. In individual cases successful firing performed by VITA Zahnfabrik may differ from the recommendations of the alloy manufacturers. When firing bridges, always separate down to the opaque at the first firing.

Shrinkage of the ceramic always occurs only in the thickest area. Therefore a uniform layer thickness is recommended. Do not use any dry or saw-toothed instruments. The use of these instruments can cause the ceramic to become detached and separated from the opaque surface. Various manufacturers no longer recommend oxidation firing.

However, when changing alloys, oxidation firing should be carried out. It serves to check the oxide shade, which must be homogeneous in shade. There must be no stains or discolorations on the surface to be veneered. The oxide layer can be subsequently removed by sandblasting or etching. Ensure correct firing parameters and firing temperature. Carry out muffle test by using a mirror to see if the muffle is properly heated from all sides in the firing chamber.

Grind the surface of the ceramic with diamond abrasives. Make sure the ceramic is not ground when too hot. When using blunt diamonds, do not increase the grinding pressure but replace the tool. When using a turbine, always ensure water cooling. Information on reliable veneering of NPM alloysSince frameworks made from non-precious metal alloys conduct heat poorly and hence exhibit a different behavior than precious metal alloys, the following information must be observed when veneering NPM frameworks with VITA VM 13:. Only use special ceramic crucibles when casting NPM alloys. Only new material may be cast.

When finishing the frameworks, sharp edges must be avoided. Sandblast with 250 µm aluminium oxide at a pressure of 3-4 bars. The information of the alloy manufacturer must be adhered to!. To avoid discoloration, all surfaces not to be veneered should be sandblasted or ground after each firing process. Then they need to be cleaned thoroughly. To achieve reliable bonding of VITA VM 13 to the NPM alloy, the temperature for the washbake must be 50°C and the temperature for the opaque firing must be 30° higher.

This way improved wetting of the surface and enhanced bonding are ensured. Please check the following which could have causedthe problem:. Ensure correct firing parameters and firing temperature. Carry out muffle test with mirror to see if muffle is properly heated from all sides. Insulation material residue must not be on the ceramic surface.

Contact with the freshly insulated antagonist teeth (opposing jaw) can lead to problems. The correction porcelain should not be applied in very small portions. Make sure it does not dry out too much; if necessary use a liquid which keeps it moist longer. Firing temperature is too low. Avoid constant suction and rewetting of the mixture; ensure homogeneous moisture level. Please check the following which could have causedthe problem:. Casting: ensure correct flame adjustment and temperature of induction or electronic casting equipment.

Use the casting crucible and temperature recommended for the alloy. Never mix alloys. Do not use more than one third of old metal. The wash opaque must be applied in accordance with the working instructions to achieve good wetting of the surface.

To ensure correct melting of the opaque, the required temperature must be adhered to. The use of wash opaque is not mandatory; the wash opaque firing can also be carried out with the shaded opaque porcelain.

Bubbles or discolorations at the surface of the opaque must be avoided. The opaque must have a surface glaze. Freshly layered porcelain must not be preheated too quickly and at excessive temperatures.

When filling the interdental spaces during bridge correction, do not vibrate the material until dry; otherwise the material will not bond. Interdental spaces should be wetted with an oily liquid (e.g. VITA INTERNO FLUID) before filling.

Please check the following which could have causedthe problem:. Observe information on storage, expiration dates and processing of the investment material. Casting: ensure correct flame adjustment and temperature of induction or electronic casting equipment. Use the crucibles and temperature recommended for the alloy. Use the crucibles recommended for the alloy. Ensure homogeneous metal structure; if possible avoid soldering or lasering. Use recommended ceramic mixing liquid and observe the firing temperature.

Please check the following which could have causedthe problem:. Model in reduced tooth size particularly in the case of molars and bridges in order to achieve a homogeneous layer thickness of the ceramic. Ensure cuspal support in the posterior area, and U-shaped modellation of the interdental spaces. The opaque must be applied in accordance with the working instructions. To ensure proper melting of the opaque, the correct temperature must be adhered to. Avoid bubbles or discolorations at the surface of the opaque. Ensure good marginal adaptation of the ceramics; if necessary brush the ceramic in these areas before firing (use a dry brush).

When firing bridges, always separate down to the opaque for the first firing. Shrinkage of the ceramic always occurs only in the thickest area. Therefore a uniform layer thick ness is recommended.

Do not use any dry or saw-toothed instruments. The use of these instruments can cause the ceramic to become detached and separated from the surface. Should a rubber polisher be used before the final finishing, the surface must not be wetted with liquid again. It must first be cleaned. It is not sufficient to clean it using a steam cleaner or with water. Silicone residue at the surface must be removed mechanically. Insulation material residue must not be on the ceramic surface.

Contact with the freshly-insulated antagonist teeth (opposing jaw) can lead to problems. Please check the following which could have causedthe problem:. Do not place freshly layered and moist ceramic directly into the hot furnace.

Ensure correct firing parameters and firing temperature; if required check furnace temperature. Carry out muffle test by using a mirror to see if the muffle is properly heated from all sides in the firing chamber. If a rubber polisher is used before final finishing (glaze firing), the surface must not be wetted with liquid again. It must first be cleaned. It is not sufficient to clean it using a steam cleaner or with water. Silicone residue must be removed mechanically from the surface. Insulation material residue must not be on the ceramic surface.

Contact with the freshly-insulated antagonist teeth (opposing jaw) can lead to problems. The correction porcelain should not be applied in very small portions. Make sure it does not dry out excessively; if necessary use a liquid which keeps it moist longer (VITA MODELLING FLUID). Avoid constant blotting and wetting of the material. When filling the interdental spaces during bridge correction, do not vibrate the material excessively; otherwise the material will not bond. Interdental spaces should be wetted with an oily liquid (e.g. Interno) before filling.

Contents.Bio. Name: Vita. Gender: Female. Race: Human. Occupation: Singer. Quote: Let my voice fill you with bravery!Story: The Living Voice An orphan of the Synd uprising, Vita was primarily raised by her brother Varren.

Her childhood was destitute, but brimming with love and positivity. When the First Reclamation Fleet was put together on Amaari, Varren went to war and ultimately gave his life for the effort. In his will, he left Vita with one wish. Keep smiling, V. That smile will bring peace to the whole universe one day, I just know it.Vita, always a gifted singer, took to writing songs of love and optimism and began busking in the streets to get.

It was there that she was discovered by a wealthy Amaari, Meister Gelleon, who-recognizing both her talent and her potential to be a Master due to the SOL resonating in her voice-immediately offered to be her agent. He commissioned an artifact that would amplify her own inherent ability to influence the life force of others. Vita became an overnight sensation. When the Second Reclamation Fleet readied itself for war, she volunteered to perform for the troops, taking the opportunity to speak of her compassionate ideals. Afterward, she sneaked onto the Dredgion, where she cheerfully muscled her way into the ranks of the Masters fighting for freedom. In combat, Vita tends to avoid direct confrontation, preferring to act as a force of inspiration for those on the battlefield.Summary Coming Soon.Weapon Vitaforce A wand that amplifies Vita's ability to control life energy through the use of her voice.

Fires life energy that splits in two upon colliding with a target. Heals and increases the defense of struck allies.